GUIDE
This page explains what EdiP does and how to work with it: which choice changes the reading, what each section gives you once the analysis is done, and how to get real value out of the conversation and the Editor’s Studio.
EdiP is an editor for literary text, but it does not correct or rewrite your work. It reads it. It maps your register, the space between the lines, the architecture of the narrative and the construction of character, then sets down its judgement together with the evidence it drew from the text.
After that you can talk it over. If your text is a draft, you can move on to the Editor’s Studio to develop it.
The results panel is split into tabs. Not all of them open for every text; some depend on genre and status.
The report is a single, large reading built on top of the analysis findings: it turns scattered observations into one coherent, long, readable piece.
Before you press the button, the estimated time and cost are shown; you start knowing what you will spend.
The report is at its best when you have first asked a few questions about the text in the conversation. Your questions decide what the report focuses on; a report built on an empty conversation stays shallow.
Once the analysis is finished you can talk about the text. The conversation sees both the findings and the full text, so references like “that sentence” or “the second part” land.
A good question is narrow and directed. A broad question earns a broad answer, and a broad answer is no use to you.
QUESTIONS THAT WORK
“Where exactly does the narrator’s reliability break?”
“Why does the pace drop here; sentence length, or density of event?”
“Which choices separate the second character’s voice from the first?”
“Does the retreat at the end weaken the claim of the opening?”
QUESTIONS THAT DON’T
“Is the text good?”
“Did you like it?”
“How can it be better?”
“What score would you give it?”
An assisting editor that works through your draft sentence by sentence. It reads as you write and shows you where you have drifted from your own register. It never writes in your place.
Opens only when: Deep Analysis + STATUS “Draft” + genre is short story, novel, or experimental/lyric. If all three are not met, the studio does not appear.
As EdiP reads more of your texts, it builds a profile of the voice that is yours: your vocabulary, your sentence habits, your silences. Later readings measure drift against that profile; that is what lets it say “this sentence doesn’t sound like you.”
Literary translation is a separate craft and lives in a separate product: EdipVersa. EdipLit’s reading findings (voice, subtext, narrative coherence) are carried across intact, so the text changes language without losing its voice.
Your drafts are never saved and never used to train AI models. Your text is read, analysed, returned to you, and it stays there.
That is the guide. The rest starts with your text.
Back to the editor →